BY JANET STEINBERG



Part
2 of a Series

Dear Fellow Travelers, 

I have a quiz for you, but it is an easy
one because I will also give you the answer.

QUESTION: 
What do churches, restaurants, and salt/pepper shakers all have in common?

ANSWER: They are
all part of a broad spectrum of favorite places or things that travelers seek
out or collect on their journeys. 

Personally, my true passion is
sculpture.  In my travels, I seek out, and collect, photos and information
about spectacular sculptures.  They can be touristic or whimsical,
historic or kooky, iconic or weird.  It doesn’t matter.  I love them
all. 

On a recent trip to Dallas, Texas I was
overwhelmed by the myriad of sculptures I encountered. The City of Dallas
Public Art Collection numbers over 300 individual works valued at over
$20,000,000.  The collection features works by world-renowned
artists, as well as many Dallas artists, some of whom have achieved international
recognition.  All have made a significant contribution to the
mystique of “Big D.” 

The Dallas Public Art Collection could
fill a book.  However, since space is limited, I will share with you six
of the most unique sculptures I discovered in “The Big D”. 

Stay tuned for my version of SIX IN THE
CITY.

1. B&G:  This one is touristic.
People are encouraged to step into the middle of the letters, where the “I” was
deliberately left out of the word BIG, and become the ”I” in the BIG. With the launch of the B&G campaign in 2013, 26 six-foot-tall
B&G structures were created. 
Since then, more than 70 custom sets have been created for holidays, special events,
corporations, and celebrities.
 EVERYTHING IS BIG IN TEXAS


2. THE
TRAVELING MAN: This one is whimsical.   Brad Oldham’s 38-foot tall
public sculpture stands guard at Good-Latimore and Elm Streets in the Deep
Ellum neighborhood of Dallas.   (A bit of interesting trivia…Ellum
takes its name from the way early residents pronounced the word Elm.) 
Installed in 2009, it melds whimsy with industrial fortitude.  In 2011,
the Texas Society of Architects recognized Oldham with its prestigious Artisan
Award and heralded him as the Artist/Craftsman of the Year by the American
Institute for Architects.


 TRAVELING MAN STANDS GUARD OVER DEEP ELLUM

3. CATTLE DRIVE: This one is
historic.  Robert Summers’ 49 bronze steers and three trail riders at
Pioneer Plaza celebrate the trails that brought settlers to Dallas.  The
larger-than life steers and their trail riders ride along an ersatz ridge and
cliff that is enhanced by a flowing stream.  The Cattle Drive Sculpture is
the largest bronze monument of its kind in the world.

LARGEST BRONZE MONUMENT OF ITS KIND IN THE WORLD  

4. BRITISH BOWLER HAT: This one is
kooky.  Artist Keith Turman’s giant 20-foot-wide British Bowler Hat,
weighing close to two tons, is precariously hooked on a coat rack in a
grassy lot on the south edge of downtown at Griffin and Ervay Streets. It was
originally meant to hang on the corner of a British furniture store, but it
didn’t comply with the building codes.  Hence, it became another piece of
Americana. When I looked at the sculpture, I saw more than a hat.  I
pictured a haughty, nattily dressed gentleman, endowed with sparkling blue eyes
and a lorgnette

A TIP OF THE HAT TO YOU 

5. PEGASUS:  This one is iconic.
Pegasus is a Dallas landmark, originally built for
the Magnolia Oil Company in 1934.  (It later became the logo for Mobil
Oil.) For 65 years,
the original Pegasus flew 450 feet above ground atop the Renaissance Revival Magnolia Building (later the
Magnolia Hotel).  The elements finally took their toll and, in 1999,
Pegasus returned to earth and disappeared.  In 2012, it
was
located, restored and installed on a platform atop a 22-foot-high oil derrick
that serves as its base.  The renovated original ”Flying Red Horse” now
reigns majestically on the grounds of the Omni Dallas Hotel.

PEGASUS ATOP OIL DERRICK, BACKGROUNDED BY REUNION TOWER & GEO-DECK 

6. “THE EYE”: This one is weird. 
In the sculpture garden of the Joule Hotel (directly across the street from the
hotel) is a 30-foot-tall eyeball. It is so realistic looking that one might
think it had just been surgically removed from the Jolly Green Giant. 
However, it is said that this ocular oddity is modeled after the actual eyeball
of its creator, contemporary artist Tony Tasset.  This humongous eyeball
is reminiscent of the old roadside signs that used to pop up along the
backroads of America.

HERE’S LOOKIN’ AT YOU, KID

Happy trails to you!

Janet

POSTSCRIPT: Once
I finished my list of SIX IN THE CITY, I felt guilty. I discovered so much
fabulous public art throughout Dallas that I felt I would be remiss if I didn’t
give you a heads-up about two more of my favorites.

THE DALLAS PIECE is a classic Henry
Moore installed in 1978 in front of the I.M. Pei City Hall. Moore and Pei
collaborated in designing a sculpture that would be massive enough to
compliment the Dallas City Hall’s structure and the wide horizontal plane of the plaza. 
The organic, curved sculpture contrasts with the
geometric and block-like architecture of the building. 
A CLASSIC HENRY MOORE 

THE MARIENELA TEDDY BEARS are just plain
fun. Driving past the mansions in Highland Park, (reputed to be the home of 14
billionaires and innumerable millionaires) you will come to Lakeside
Park.  Across the footbridge, J.T. Williams’ fanciful granite teddy bears
abide on beautifully landscaped grounds along the banks of Turtle Creek.
 Little girls giggle at them; bigger boys climb on them; puppies cuddle up
to them; and young-at-heart oldies get photographed with them. 

             JUST PLAIN FUN!

No one is ever too old for fun. 


JANET STEINBERG is an award-winning
Travel Writer/Editor and International Travel Consultant with THE TRAVEL
AUTHORITY in Mariemont, Ohio